![]() I can imagine that you spent incomparable moments with the three puppets… I don’t know many things of greater worth than the section you call ‘Tour de passe-passe’… There is in it a kind of sonorous magic, a mysterious transformation of mechanical souls which become human by a spell of which, until now, you seem to be the unique inventor. “Thanks to you I have passed an enjoyable Easter vacation in company of Petrouchka, the terrible Moor and the delicious Ballerina. After a close reading of the score, he wrote to Stravinsky in April 1912: In June 1911 he attended a performance of Stravinsky’s second ballet, Petrushka, and was deeply impressed by the “orchestral infallibility,” “sonorous magic,” and “unbridled power” of the music. One year after the première of The Firebird, Debussy’s subdued admiration turned into undisguised enthusiasm. Igor Stravinsky and Claude Debussy in the latter’s apartment in the Avenue du Bois de Boulogne, Paris photo by Erik Satie, June 1910 (Paul Sacher Foundation, Basle) Petrushka and The Rite of Spring Igor Stravinsky and Claude Debussy in the latter’s apartment in the Avenue du Bois de Boulogne, Paris photo by Erik Satie, June 1910 (Paul Sacher Foundation, Basle) The rare exceptions discoverable among them served only to prove the rule.” 3 He answered in these very words: ‘Better not listen to him one runs the risk of getting accustomed to him and one would end by liking him.’ But such was not the attitude of his disciples – they were more royalist than the King. “At a concert where one of the latter’s works was on the programme I asked Rimsky-Korsakov what he thought of it. In his memoirs, he later described the critical way in which the musicians in his milieu – the conservative circle associated with Nikolai Rimsky-Korsakov – responded to Debussy’s music: Petersburg, Stravinsky had became acquainted with several Debussy compositions. Debussy was a modernist trailblazer who opened up new paths for music at the turn of the century. ” 2įor Stravinsky, the acquaintance with the famous French composer two decades his senior was unquestionably a special event. Not only did the spectacular performance turn the previously unknown Stravinsky over night into a worldwide celebrity, it also earned him somewhat ambiguous praise from his sharp-tongued colleague: “It is not perfect but in many ways it is nevertheless very fine because music is not subservient to the dance. ![]() Petersburg composer presented his ballet The Firebird to the Parisian public, Debussy was seated in the audience at the première. On 25 th June, when the twenty-eight-year-old St. The first meeting between Debussy and Stravinsky dates back to the summer of 1910. Claude Debussy in Paris (1910) photo by Igor Stravinsky (Paul Sacher Foundation, Basle) Initial encounters ![]()
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